Reissue of Paris Adrift out now!

A beautiful new reissue of Paris Adrift is now available from Rebellion Publishing!

Undoubtedly one of the highlights of having a novel published is seeing the visual interpretation of your words, and I’ve been hugely fortunate to have not one but two amazing covers for Paris Adrift. The original cover, a beautiful illustration by Joey Hi-Fi, was nominated for a British Science Fiction Award. The reissue cover is a gorgeous design-led piece created by Sam Gretton at Rebellion. Below you can see the full cover jacket – one of my favourite elements is the little bird perched above the ‘S’ and on the spine.

Paris Adrift full cover

 

Here are the two covers side by side:

Paris Adrift front cover

Paris Adrift

 

 

 

 

 

 

 

 

A bit about Paris Adrift:

Paris was supposed to save Hallie. Now… well, let’s just say Paris has other ideas.

There’s a strange woman called The Chronometrist who will not leave her alone. Garbled warnings from bizarre creatures keep her up at night. And there’s a time portal in the keg room of the bar where she works.

Soon, Hallie is tumbling through the turbulent past and future Paris, making friends, changing the world — and falling in love.

But with every trip, Hallie loses a little of herself, and every infinitesimal change she makes ripples through time, until the future she’s trying to save suddenly looks nothing like what she hoped for…

 

The book itself looks super smart, complete with shiny gold foil:

Paris Adrift author copies

 

Reviews of Paris Adrift:

‘an effervescent blend of revisionist history, fantasy and science fiction.’ — Washington Post

E. J. Swift’s Paris Adrift (2018) is a sumptuous love letter to the city of Paris, its history and its people. It is a time travel novel that serves as a wakeup call, showing the fragility of freedom and democracy, and how they are worth fighting for, and the bitter consequences of failing to do so. But at its heart it is a warm and engaging coming of age tale, an exploration of identity, and the fleetingness of youth. The end result is a story that feels both personal and political, both timely and timeless.’ — Fantasy Faction

‘E. J. Swift’s PARIS ADRIFT is her best novel yet: a time-travelling adventure that, despite the cosmic stakes, is bravely and beautifully intimate. Despite the apocalyptic backdrop, PARIS is also wistfully hopeful – a novel of ordinary, extraordinary heroism… PARIS ADRIFT uses science fiction’s largest and most unwieldy mechanic for its smallest and most intimate stakes: this isn’t about the world, it is about Hallie. PARIS is a story about significance at every level, individually and collectively; ultimately, whether that’s in time, life, or simply one’s outlook – this is a poetic demonstration of how little changes make big differences. Despite being a novel that’s – literally! – timeless, you couldn’t find a work more wonderfully fitting for 2018.’ — Pornokitsch

‘A great time travel story, inventive and at times overwhelming. Hallie is a compelling character to read, as she is not all-knowing and manages to keep her sense of disbelief for as long as possible. Hallie through the book comes to find an inner strength that she didn’t know existed as she faces challenges without a lot of resources. I can’t really express how much I enjoyed this story and look forward to reading more from E. J. Swift soon.’ — Fantasy Book Review (9/10)

‘[A] really gripping book that was also really thought provoking and moving… [The novel] deals with many themes which are very relevant right now and Hallie’s time travel to a bleak 2042 felt too plausible… [I] loved reading about Hallie’s expeditions to 1875. Paris really came alive for me and I just loved all the sub stories going on, particularly Millie’s. PARIS ADRIFT also touches on what it’s like to feel adrift and alone in this big world, whether we’re living the best versions of ourselves. This story is about getting lost in order to find yourself. There’s a good message in this book, that doing small deeds to help strangers can have huge effects later on and the future is something we should all be thinking about.’ — British Fantasy Society

 

Get one!

If you’d like to order a copy of Paris Adrift, follow the links below:

US | UK | EBOOK

Favourite reads of 2019

My favourite reads in – though as ever, not necessarily from – 2019.

Unsheltered – Barbara Kingsolver
Faber & Faber, 2018

Two families across two centuries navigate radically changing times – from the controversial new theories of Darwin to the social change necessary to tackle climate breakdown – and what it really means to be with or without shelter. Another masterpiece in social dynamics from Kingsolver. 

The World Without Us – Mireille Juchau
Bloomsbury, 2016

Amidst a mass dyout of bees, an Australian family face the possible end of their livelihood, while old secrets surface and threaten to break apart the fragile family unit. Juchau’s meditation on a fading world feels ever more poignant in light of the current, catastrophic bushfire crisis in Australia.

Zero Bomb – M. T. Hill
Titan, 2019

This fragmented novel set in a terrifyingly plausible near future explores the impact of new automation technologies which lie just around the corner. Simmering with foreboding, the tension ratchets throughout to a thrilling climax.

10 Minutes 38 Seconds in This Strange World – Elif Shafak
Viking, 2019

In the ten minutes after her death, the woman known to her friends as Tequila Leila recalls her most vivid memories from a troubled and turbulent life. Coalescing around mind, body and soul, Shafak’s latest novel is a beautiful paean to those who are let down by society and the redemptive power of friendship. 

Wilding – Isabella Tree
Picador, 2018

Tree’s account of the hugely successful rewilding project at Knepp in Sussex is a fascinating, inspirational journey – with unexpected outcomes from breeding turtle doves to the return of the nightingale. A blueprint for how new approaches to conservation could restore our brutally depleted countryside. 

Chernobyl Prayer – Svetlana Alexievich
Penguin Modern Classics, first published 1997

This extraordinary, haunting, deeply humane work gives voice to the ordinary people affected by the Chernobyl disaster. The testimonies recounted here were the inspiration behind many of the threads in this year’s superb television dramatisation. 


The Heavens – Sandra Newman

Granta, 2019

Kate falls asleep in twenty-first century New York and wakes in plague-stricken Elizabethan England, but with each return to New York her world changes a little more. This luminous, shifting, skilful novel is a superbly clever take on time travel (is it or isn’t it?) from the ever inventive Newman. 

Do You Dream of Terra-Two? – Temi Oh
Simon & Schuster, 2019

A gorgeously written coming-of-age tale follows a group of young people who have trained since children as they embark on a twenty year journey to lead the first mission to another planet, and gradually come to terms with the reality of their decision.

The Wych Elm – Tana French
Viking, 2019

After a devastating attack leaves him injured and with partial memory loss, Toby returns to his ancestral family home to look after his dying uncle. The idyll is broken when a skull is found in the garden. Gloriously twisty psychological thriller with a deliciously unreliable narrator. 

Bridge 108 – Anne Charnock
47 North, 2020

I was lucky to read an advance copy of the new novel from Arthur C. Clarke winner Anne Charnock. Set in the near-future England of Charnock’s first novel (A Calculated Life), Bridge 108 explores the consequences of an influx of climate breakdown immigrants from southern Europe. A tapestry of voices resonate around trafficked youngster Caleb as he battles to make a new life for himself in this superbly rendered world.

Happy new year all, and here’s to 2020 reading!

Reading recommendations from 2018

The end of the year is always an opportunity to look back on what I’ve read and see what has really stayed with me. Here are my top twelve picks from the 58 books I read in 2018 – as usual, not everything was published this year. It’s impossible to rank books, so they are listed in order of reading, but I did have two standout reads this year: When I Hit You by Meena Kandasamy, and Flight Behaviour by Barbara Kingsolver.

Reservoir 13 – Jon McGregor
Fourth Estate, 2017

A teenage girl goes missing whilst on holiday; the shock of her disappearance reverberates with the residents of the village for years to come. The narrative moves seamlessly in and out of the perspectives of a cast of characters, and the land itself, with a voice quite unlike anything else I’ve read; the result is a hauntingly beautiful portrayal of a community in a fast changing world.

Happiness – Aminatta Forna
Bloomsbury, 2018

Two strangers meet on a London night on Waterloo Bridge: Ghanaian psychiatrist Attila, and American biologist Jean, studying urban foxes. A beautifully rendered portrayal of lives colliding, the oft overlooked and hidden side of a frantic metropolis, our relationship with the natural world, and the themes of trauma, loss and survival which are recurrent in Forna’s work.

Home Fire – Kamila Shamsie
Bloomsbury, 2017

Shamsie’s contemporary reimagining of Sophocles’ Antigone won the Women’s Prize for Fiction 2018 and deservedly so. Like all of Shamsie’s work, this is a brilliant examination of conflicting loyalties and worldviews which continually challenges where the reader’s empathy lies.

Fever – Deon Meyer
Hodder & Stoughton, 2017

“I want to tell you about my father’s murder.

I want to tell you who killed him, and why. This is the story of my life. And the story of your life and your world too, as you will see.”

So begins Fever by Deon Meyer, shortlisted for The Kitschies this year. I hugely enjoyed this coming-of-age novel which is part thriller, part environment breakdown and part survival story, with an absorbing voice and a great twist at the end.

Rosewater – Tade Thompson
Orbit, 2018

Another fantastic read, it’s no surprise this book has made all the best of 2018 science fiction lists. An imaginative exploration of alien contact and telepathy set in Nigeria, 2066, what really made me love this novel is the brilliantly realised character and narrative voice of Kaaro, which moves between present and past. I can’t wait for the next in the series, due 2019.

Gnomon – Nick Harkaway
William Heinemann, 2017

Near future Britain, a nation under surveillance where every word and action is observed and recorded. This is the framing for an incredibly ambitious and complex novel which weaves together stories and characters with trademark panache and brilliantly baroque prose. My favourite novel by Harkaway yet.

Conversations with Friends – Sally Rooney
Faber & Faber, 2017

What an absolute joy of a read. Devoured in a single sitting on holiday, Conversations with Friends is an examination of the unfolding relationships and intimacy between four people: insightful, witty, observant and funny. I’ve just got my hands on a copy of Normal People and know I’m going to love it just as much.

When I Hit You – Meena Kandasamy
Atlantic Books, 2017

An impulse pick-up from a table in Waterstones, this leapt straight into my top two of the year. The novel’s subject matter of domestic abuse is explored in a narrative which is immaculately structured (with trigger warning incorporated from the first page), and exquisitely written. A fierce, heartbreaking, utterly brilliant novel.

Convenience Store Woman – Sayaka Murata
Portobello Books Ltd, 2018

Narrator Keiko is 36 years old and has worked in the same supermarket for eighteen years. This is a gloriously oddball satire of the many and hypocritical expectations placed on women in society and one woman’s refusal to conform.

Ambiguity Machines and Other Stories – Vandana Singh
Small Beer Press, 2018

This beautiful collection delivered everything I want from contemporary science fiction – compassionate, considered, gorgeously written contemplations of journeys through space and time and intriguing scientific premises.

 

Flight Behaviour – Barbara Kingsolver
Faber & Faber, 2013

“A certain feeling comes from throwing your good life away, and it is one part rapture.” There are some novels where you read the first line and you know instantly you are in safe hands. Kingsolver’s superb exploration of climate breakdown, and how it impacts on those with the least power to combat it, is achieved through the perspective of Dellarobia, a young woman trapped in poverty who discovers a population of monarch butterflies threatened by changing weather patterns. A masterpiece in storytelling.

Washington Black – Esi Edugyan
Serpent’s Tail, 2018

Eleven-year-old slave Washington Black finds himself selected as a personal assistant to the naturalist and abolitionist Christopher Wilde. They escape the plantation island in a thrilling adventure that moves from Barbados to the Arctic Circle to London. Edugyan’s gorgeously evocative prose describes the limits of an unlikely friendship and the understanding of another’s suffering.

I’ve discovered some fantastic books in 2018; here’s to another year of excellent reading in 2019.

 

“Weather Girl” podcast and Polish translation

I’m delighted that my short fiction “Weather Girl” is now available on audio via the excellent StarShipSofa podcast, narrated by Chloe Yates. You can listen online here.

The story was first published in the Infinity Wars anthology (Solaris), edited by Jonathan Strahan: tales of soldiers, on the ground and fighting, in the near future and in the farthest reaches of space, using the latest technologies and facing the oldest of fears. Through the lens of a separated wife and husband, “Weather Girl” explores how extreme weather events of climate breakdown might be exploited for military gain.

This year the story was also translated into Polish by Kamil Lesiew for the speculative fiction magazine Nowa Fantastyka, and included some lovely header artwork.

Terra Fiction – Coded Matters 2018

In September I was invited to speak as part of Terra Fiction: Coded Matter(s) in Amsterdam, an event curated by FIBER and De Brakke Grond which brought together speakers working in the fields of art, literature, science, design and digital culture to reassess man’s future relationship with the earth and the cosmos.

Terra Fiction was the second installment of FIBER’s ongoing Coded Matter(s): Worldbuilding project. These lecture events question the design of contemporary world visions and technological narratives, which are contributing to greater socio-economic inequality and environmental destruction. Speculative designers, art-scientists and writers share research and evolving ideas to imagine futures that position humans and our technologies inside a more balanced ecology.

My talk discussed the role of speculative fiction in imagining alternative worlds, and how it might offer us a vision for a better future, sharing approaches to world-building in fiction, and considering the challenges for the writer in creating a believable universe. I discussed The Osiris Project trilogy which is set in a world radically altered by climate change, and my current novel in development which explores marine ecosystems and the changing nature of our relationship with the environment.

The event was beautifully staged at the Vlaamse Cultuurhuis de Brakke Grond and it was a privilege to present alongside a hugely inspirational array of speakers: writer Pippa Goldschmidt, who discussed whether we can create new ways of thinking about space exploration that go beyond the exploitative character of capitalist models; Maja Kuzmanovic and Nik Gaffney, co-founders of FoAM, a distributed laboratory for speculative cultures; Jay Springett, a writer, theorist, promoter of DIY culture and editor of Solarpunks; Ivan Henriques, a transdisciplinary artist and researcher; and Miha Turšič, artist, designer and researcher. I left the event buzzing with ideas.

Many thanks to the curators Jarl Schulp and Fabian van Sluijs who put together a fantastic programme and looked after us so wonderfully, and to Michelle Kasprzak who moderated the event with warmth and humour.

Border Sessions 2018

Border Sessions is a yearly tech culture festival on a mission to kick-start and fuel challenging ideas, experiments and endeavours, with a strong focus on multidisciplinary projects. The program is built around five main tracks: Humanity, Society, Cities, Nature and And Beyond. This year I was thrilled to be invited to speak at the conference on 14 June.

The festival is held in The Hague, with the conference staged across the Theater aan het Spui and the adjacent Filmhuis Den Haag.

I was interviewed by the brilliant Arno Wielders, co-founder of the global initiative Mars One. We spoke about The Osiris Project and Paris Adrift as well as discussing speculative fiction and the writing life.

The festival has a wonderfully wide-ranging programme and on the same day I was able to attend a presentation on Ocean Floor Restoration – ideal for current writing research.

A huge thank you to everyone at Border Sessions for inviting me! If you’d like to find out more about the festival, take a look at the website here.

Paris Adrift is out this week!

Paris AdriftIt’s here! Paris Adrift is finally out in the world, available from Solaris in the UK and North America. Here’s the synopsis…

Paris Was Supposed to Save Hallie. Now… Well, Let’s Just Say Paris Has Other Ideas. 

There’s a strange woman called The Chronometrist who will not leave her alone. Garbled warnings from bizarre creatures keep her up at night. And there’s a time portal in the keg room of the bar where she works. 

Soon, Hallie is tumbling through the turbulent past and future Paris, making friends, changing the world — and falling in love. 

But with every trip, Hallie loses a little of herself, and every infinitesimal change she makes ripples through time, until the future she’s trying to save suddenly looks nothing like what she hoped for…

I’m delighted that Paris Adrift has been selected by KirkusAmazon and Barnes & Noble as a best of February SF/fantasy! Here are a few of the early reviews…

an effervescent blend of revisionist history, fantasy and science fiction.’ Washington Post

‘E. J. Swift’s PARIS ADRIFT is her best novel yet: a time-travelling adventure that, despite the cosmic stakes, is bravely and beautifully intimate. Despite the apocalyptic backdrop, PARIS is also wistfully hopeful – a novel of ordinary, extraordinary heroism… PARIS ADRIFT uses science fiction’s largest and most unwieldy mechanic for its smallest and most intimate stakes: this isn’t about the world, it is about Hallie. PARIS is a story about significance at every level, individually and collectively; ultimately, whether that’s in time, life, or simply one’s outlook – this is a poetic demonstration of how little changes make big differences. Despite being a novel that’s – literally! – timeless, you couldn’t find a work more wonderfully fitting for 2018.’ — Pornokitsch

‘A great time travel story, inventive and at times overwhelming. Hallie is a compelling character to read, as she is not all-knowing and manages to keep her sense of disbelief for as long as possible. Hallie through the book comes to find an inner strength that she didn’t know existed as she faces challenges without a lot of resources. I can’t really express how much I enjoyed this story and look forward to reading more from E. J. Swift soon.’ — Fantasy Book Review (9/10)

‘A great protagonist in a fascinating plot, with some refreshingly original takes on the mechanics and mechanisms of time travel, this was a very enjoyable read… This is a great book. Fantastic characters in an interesting story, excellently paced.’ — Strange Currencies

‘Swift (the Osiris Project series) delivers both an unusual take on time travel and solid characters, including a fantastic protagonist… Swift keeps things moving briskly, throwing out innocuous tidbits while scene setting that lead to surprising later payoffs.’ — Publishers Weekly

‘[A] really gripping book that was also really thought provoking and moving… [The novel] deals with many themes which are very relevant right now and Hallie’s time travel to a bleak 2042 felt too plausible… [I] loved reading about Hallie’s expeditions to 1875. Paris really came alive for me and I just loved all the sub stories going on, particularly Millie’s. PARIS ADRIFT also touches on what it’s like to feel adrift and alone in this big world, whether we’re living the best versions of ourselves. This story is about getting lost in order to find yourself. There’s a good message in this book, that doing small deeds to help strangers can have huge effects later on and the future is something we should all be thinking about.’ — British Fantasy Society

Thanks to lots of wonderful bloggers, there has also been a week-long blog tour to celebrate the book’s release.

You can read an extract of the book over on Pornokitsch.com.

If you’d like to get your hands on a copy, you can order online through Amazon.co.ukHive (UK), or Amazon.com. Signed copies are also available in the Forbidden Planet store on Shaftesbury Avenue, London – with thanks to the lovely team for having me in yesterday!