Category Archives: The Coral Bones

Jo Fletcher Books to publish THE CORAL BONES and new novel THE END WHERE WE BEGIN

I’m thrilled to share that Jo Fletcher Books has acquired World rights for THE CORAL BONES and a new novel, THE END WHERE WE BEGIN.

Following the closure of Unsung Stories this summer, Jo Fletcher Books will be republishing THE CORAL BONESfirst in ebook and then in paperback. My next novel will publish in 2025.

I can’t say too much about THE END WHERE WE BEGIN just yet – I’m working hard on the manuscript right now – but to give an idea, the novel follows two women from the present day five decades into the future, as they work to document and fight for the recovery and rewilding of devastated landscapes.

To all the readers who have been kind enough to share thoughts, reviews or recommendations for THE CORAL BONES, I am so grateful for your support. I feel immensely lucky that the book has this chance to find a new readership and build on the fantastic work done by Unsung Stories. Publishing Director Anne Perry has been hugely supportive of my work over the years; she is a phenomenal editor and I couldn’t have found a better home for my work. I’m looking forward to the journey together.

THE CORAL BONES is available in ebook from 1 October and will publish in paperback on 4 January, 2024. THE END WHERE WE BEGIN will publish in 2025.

THE CORAL BONES shortlisted for the Clarke Award

I’m over the moon to share that THE CORAL BONES has been shortlisted for the 2023 Arthur C. Clarke Award. The Clarke Award is given for the best science fiction novel first published in the United Kingdom during the previous year. It’s such an immense honour to be shortlisted for this award and needless to say THE CORAL BONES is in amazing company.

The 2023 shortlist is:

VENOMOUS LUMPSUCKER by Ned Beauman (Sceptre)

THE RED SCHOLAR’S WAKE by Aliette de Bodard (Gollancz)

PLUTOSHINE by Lucy Kissick (Gollancz)

THE ANOMALY by Hervé Le Tellier, translated by Adriana Hunter (Michael Joseph)

THE CORAL BONES by E. J. Swift (Unsung Stories)

METRONOME by Tom Watson (Bloomsbury)

The award winner will be announced on 16 August and you can read the full shortlist announcement here.

Unsung, Kitschies and MCM Comic Con

Publishing can sometimes feel like the slowest moving thing in the world, but occasionally things happen at pace.

A few weeks ago, my brilliant publisher for The Coral Bones, Unsung Stories, announced the heartbreaking news that they will be closing down. If you haven’t yet seen George Sandison’s post about why, please do take a look – it has so much to say about the extraordinary challenges of running a small press, and it’s testament to the dedication and passion of George, Dan, Vince and Laura that Unsung has continued for as long as it has. I will be forever grateful to them for giving The Coral Bones a home and a chance to find readers.

There is currently a sale for all the titles on Unsung’s list, including The Coral Bones, and you can still support our books until Unsung wraps up later this summer.

Without Unsung, I would not have been seeing the incredible news just a couple of weeks later that The Coral Bones has been shortlisted for The Kitschies Red Tentacle. This is such a huge honour – I have followed the Kitschies Awards avidly over the years and exploring their lists is always a source of great delight and discovery. To be among such company is a real privilege.

The Kitschies winners will be announced on 24 June at a ceremony as part of Bradford Literature Festival.

The Kitschies Red Tentacle finalists 2023

Finally, it was a delight to attend my second MCM Comic Con in London this weekend. Huge thanks to fellow authors Temi Oh, Nicholas Binge, and Kate Dylan for a great discussion on the Dystopian Worlds panel, and thank you as ever to the brilliant team at Forbidden Planet for looking after us at the signing afterwards.

THE CORAL BONES shortlisted for BSFA Best Novel Award

I’m over the moon to share the news that THE CORAL BONES has been shortlisted for a British Science Fiction Association (BSFA) award for Best Novel. It’s a huge honour and I’m immensely grateful to everyone who has voted for the book from such a fantastic longlist (do check it out for some great recommendations across fiction, non-fiction and artwork). 

The shortlists will be voted on by BSFA members and the British Annual Science Fiction Convention (Eastercon). The winners will be announced during Conversation, this year’s Eastercon, to be held April 7-10, 2023 at the Birmingham NEC Hilton.

You can find the full BSFA shortlists here. Needless to say, THE CORAL BONES is among great company!

THE CORAL BONES is out now

The Coral Bones is out now and copies are starting to make their way into readers’ hands. I’m absolutely delighted that the novel has been included in The Guardian’s September science fiction round up, which described it as a ‘thoughtful, immersive, very human story that speaks to current fears and hopes for our world’.

Early on in my research for the book, I read Dr Charlie Veron’s A Reef in Time and discovered that corals have evolved and become extinct several times through the history of life on earth.

Thinking about deep time in the face of the sheer pace and scale of environmental change today is one of the many dissonances I grappled with over the course of writing The Coral Bones. I started working on the novel in 2016, after a mass bleaching event on the Great Barrier Reef in the same year. A second bleaching event followed in 2017. Even six years ago, events like the 2019-20 wildfires in Australia and the flooding crisis in Pakistan today would have seemed like horrors from a distant future. Climate breakdown is accelerating at a rate that is terrifying, overwhelming and at times paralysing. 

It’s no surprise, then, that writers are increasingly engaging with this theme. Books may not save us but perhaps they can help us process. When I was developing what would become The Osiris Project series over a decade ago, there didn’t seem to be many novels which were engaging directly with climate breakdown (Alexis Wright’s extraordinary The Swan Book, published in 2013, remains a touchstone work for me). Today there is a proliferation of superb novels and non-fiction exploring both climate and the biodiversity crisis, and climate anxiety haunts the backgrounds of many more.

Coral science and conservation is likewise continually evolving and in 2018 the world lost a brilliant and much loved coral scientist in Dr Ruth Gates, who died at age 56. Hana’s storyline in The Coral Bones is based upon research on human-assisted coral evolution pioneered by Dr Gates and Professor Madeleine van Oppen (any errors in the book are, of course, my own). Attending the Reef Conservation UK conference in December 2018, it was clear how much Dr Gates had meant to the community. I never had the privilege of meeting or speaking with Dr Gates but her words have been a huge inspiration for this novel; a quote from an interview she gave in Irus Braverman’s Coral Whisperers – Scientists on the Brink will always stay with me: ‘Coral reefs are my cathedral’. Dr Gates was also interviewed in the Netflix documentary Chasing Corals and I would recommend this – along with David Attenborough’s BBC documentary series on the Great Barrier Reef – to anyone interested in finding out more about corals. I owe a huge thank you to Dr Jamie Craggs, who showed me around the Project Coral laboratories at the Horniman Museum’s Aquarium in London. Amazing work is being done there and Dr Craggs’s research gave me an invaluable insight into the world of coral science.

Writing a novel can be a lonely path but the production of a book is very much a collaboration. This book would not have been possible without the support and belief of my partner, friends and family, my agent Margaret Halton and the marvellous people at Unsung Stories. It is often said that writing is a labour of love but so too is publishing in so many cases. I’ve been very lucky to have five novels published now and publication is always a mix of euphoria and terror. The timescales with an independent press also run much tighter to publication, so having been working on the book right up to a few months ago, the material feels closer than ever.

In many ways, since its genesis The Coral Bones has been overtaken by events. But the themes it explores come from a lifelong love of nature, and the hope, however frail and ephemeral it sometimes seems, that there is still time to turn things around. Books have a role to play here, I think, and I am grateful for the solace and inspiration found in the words of so many other writers. 

So it’s now time to let the book go. I hope The Coral Bones can make a contribution to the wider, critical conversations about what is happening to our shared home. For anyone reading – I hope you find something in the stories of Hana, Judith and Telma that speaks to you.


You can find The Coral Bones via bookshops and retailers including:

Unsung Stories // Waterstones // Forbidden Planet // Amazon.co.uk

THE CORAL BONES

Three women: divided by time, connected by the ocean.

Marine biologist Hana Ishikawa is racing against time to save the coral of the Great Barrier Reef, but struggles to fight for a future in a world where so much has already been lost.

Seventeen-year-old Judith Holliman escapes the monotony of Sydney Town during the nineteenth century, when her naval captain father lets her accompany him on a voyage, unaware of the wonders and dangers she will soon encounter.

Telma Velasco is hunting for a miracle in a world ravaged by global heating: a leafy seadragon, long believed extinct, has been sighted. But as Telma investigates, she finds hope in unexpected places.

Past, present and future collide in this powerful elegy to a disappearing world – and vision of a more hopeful future.